“Issue de la Factory du festival – le programme de professionnalisation des chanteurs irlandais fondé il y a quatre ans – Hannah O’Brien campe la suivante et bénéficie d’un timbre charnu aux beaux graves ”
“Coming from the festival Factory – the professionalization program for Irish singers founded four years ago – Hannah O’Brien plays the next one and benefits from a fleshy timbre with beautiful bass.”
THE CRITIC
— TANIA BRACQ, FORUM OPERA
“… Hannah O'Brien und Carolyn Holt überzeugen in den zahlreichen kleineren Partien mit großartiger Komik.”
“… Hannah O'Brien and Carolyn Holt impress with great comedy in the numerous small roles.”
THE CRITIC
— ONLINE MUSIK MAGAZIN
“Hannah O’Brien’s Donna Elvira was powerful, nuanced and persuasive – the performance of a seasoned pro”
DON GIOVANNI
— JAMES MCCONNACHIE, PLANET HUGILL
"Hannah O’Brien… was Pamina and made the role the pivot of the drama as it should be… Her phrasing of “Ah, I feel” (Ach, ich fühls) was beautifully poised, with well-centred intonation."
THE MAGIC FLUTE
— ANDREW BILLINGTON, THE ARTS DESK
"This summer production in the theatre-on-the-farm brought 10 young singers together, bursting with talent, and entertained its audience well."
THE MAGIC FLUTE
— ANDREW BILLINGTON, THE ARTS DESK
“Hannah sang with a rich vibrant tone and did a great job negotiating Mozart’s rapid runs and leaps.”
GLENARM FESTIVAL OF VOICE 2022 COMPETITION FINAL
— ROBERT BEATTIE, SEEN AND HEARD INTERNATIONAL
“Hannah gave a heartfelt performance with extended lyrical legato lines and beautiful vocal inflections.”
GLENARM FESTIVAL OF VOICE 2022 COMPETITION FINAL
— ROBERT BEATTIE, SEEN AND HEARD INTERNATIONAL